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Today on MOC

Featured Student:
Barbara Mendez
With a background in criminal justice, Mendez began her photographic studies with an interest in forensic imaging. But, she explains, "once I started doing fine art assignments and portraiture, I kind of fell in love with it." Now a semester away from her BFA, she has new plans: "My goal right now is to specialize in destination photography." \ VIEW HER PORTFOLIOS

Create and Share Lighting Diagrams Online

In our new Studio, you can use an online
app to create a diagram set including an
image you shot, a corresponding lighting
diagram, a list of the gear you used, and
other notes. Save, print, share, and get
comments on your diagrams—and learn
from the ones created by other MOC
members.

Get started by browsing diagram sets
adapted from photographer Steven
Begleiter's book, 50 Lighting Setups
for Portrait Photographers.

\ GO TO THE STUDIO

Featured Educator:

Michael Zide

The Hallmark Institute instructor
and fine art photographer talks to us
about the Hallmark approach to teaching
and why his kit includes a pair of fireman's
boots—and shares a selection of his eloquent
black-and-white landscape images.

\ READ MORE AND VIEW HIS IMAGES

MAC-On-Campus Tour

We've added lots of new tools, articles,
videos, product discounts, and resources.
Get a quick tour of the site's features, then
register for a free account to get full access.
\ GET ALL THE DETAILS

1 2 3 4

MORE ON MOC

Photojournalism: General News
Kenneth Kobré talks about how photojournalists can get access, avoid photo-op traps, and capture insightful news images that stand out from the pack's.
\ FULL STORY

LEARNING CENTER

Incident and Reflected Light
Allison Earnest explains how to evaluate, manipulate, and meter incident and reflected light to sculpt a portrait.
\ FULL STORY

LEARNING CENTER

Master's Showcase: Julie Dennis Brothers
Julie Dennis Brothers talks to us about how she got her start, what she uses on a shoot, and how she balances the commercial with the personal.
\ FULL STORY

LEARNING CENTER

Round Table of Truth: Photo Reps
Three reps talk at length with Resource Magazine's Charlie Fish about the process of working with photographers and clients, who calls the shots, and how the photo industry is changing.
\ FULL STORY

CAREER CENTER

Tricks of the Trade: Digital Tech
Veteran tech Travis Drennen explains what it takes to be on top of your game as a digital capture tech.
\ FULL STORY

CAREER CENTER

The Art of Pregnancy Photography: Posing
Jennifer George details her approach to posing subjects who are expecting more than just a good set of prints.
\ FULL STORY

LEARNING CENTER

Interview: Vincent Dixon
Award-winning commercial photographer Vincent Dixon talks in depth about the process of creating his masterfully lit and often witty images, the importance of shooting from a personal perspective, and what it really takes to break into advertising photography.
\ FULL STORY

LEARNING CENTER

Breaking In: Photo Editor Adrian Coakley
National Geographic Books Illustrations Editor Adrian Coakley talks to MAC-On-Campus about the skills that helped him land the job, the process of putting a book together, and the road trip that made him realize he wanted a career in photography.
\ FULL STORY

CAREER CENTER

Standard Viewing Conditions
Need to make sure your colors are spot-on? Get a rundown of the key characteristics of a standardized viewing environment for judging color in prints and transparencies accurately.
\ FULL STORY

EQUIPMENT CHECKOUT ROOM

PocketWizard MiniTT1 and FlexTT5 TTL Units
Browse and download information about MiniTT1 transmitters and FlexTT5 tranceivers.
\ FULL STORY

EQUIPMENT CHECKOUT ROOM

Career Options: Photographer
Get an overview of some of the areas of specialization that are open to working photographers, along with links to organizations that offer more information about the professional practices and requirements of each.
\ FULL STORY

CAREER CENTER

Diary of a Location Scout, Part II of IV: Helipads
Intrepid location hunter "Chris Scout" scours New York City for a helipad in the second entry of Resource Magazine's Diary.
\ FULL STORY

CAREER CENTER

Jim Zuckerman on Landscape Photography: Shooting into the Sun
Photographer Jim Zuckerman explains how to meter and compose images that use the sun as a key element.
\ FULL STORY

LEARNING CENTER

Color Management in Digital Photography: Create a Good Work Environment
Can't figure out why your prints still don't match your screen after all that calibrating? Maybe it's your room. Brad Hinkel explains how to set up a work space for editing and printing color photos.
\ FULL STORY

LEARNING CENTER

Pro Perspectives: George Holz
George Holz talks to MAC-On-Campus about learning to use light, preparing for a shoot, and how he got his start assisting Helmut Newton.
\ FULL STORY

LEARNING CENTER

Selected Images from the National Geographic Image Collection
National Geographic Illustrations Editor Adrian Coakley talks about a selection of images from the Society's Image Collection book, and tells us why they're among his favorites.
\ FULL STORY

LEARNING CENTER

Large Format Lens Selection
Learn how to select the right focal length, maximum aperture, and design in a large-format camera lens.
\ FULL STORY

LEARNING CENTER

Color IQ Test
Think you have a knack for distinguishing subtle differences in hue? Take this simple online test to find out just how keen your eye for color really is.
\ FULL STORY

LEARNING CENTER

Jim Zuckerman on Composition: Backgrounds
Photographer Jim Zuckerman explains how to use background elements to create engaging images in the fifth article of his sixteen-part series on composition.
\ FULL STORY

LEARNING CENTER

Lighting Rooms
How do you light a space featuring two models, one product, fifteen reflective materials, overhead tungsten lights, and a window? Robert Morrissey explains.
\ FULL STORY

LEARNING CENTER

Pro Perspectives: Howard Schatz
Howard Schatz talks to MAC-On-Campus about the uses of delay flash and multi-pop, what his interns learn, and the difference between a doctor and a photographer.
\ FULL STORY

LEARNING CENTER

Tricks of the Trade: Make-up Artist
Make-up artist Pascale Poma talks to Resource Magazine about the role of her profession, the hardest part of her job, and viewing skin as a canvas.
\ FULL STORY

LEARNING CENTER

Jim Zuckerman on Composition: Symmetry
Photographer Jim Zuckerman explains how to use symmetry to create engaging images in the thirteenth article of his sixteen-part series on composition.
\ FULL STORY

LEARNING CENTER

Pro Perspectives: Montalbetti + Campbell
Montalbetti + Campbell talk to MAC-On-Campus about how they teamed up and got their start, what they expect from assistants, and the importance of a personal vision.
\ FULL STORY

LEARNING CENTER

Light Placement
In this excerpt from Lighting Techniques for Photographing Model Portfolios, Billy Pegram demonstrates how to bring out a model's beauty, change the tone of a shot, and play up (or down) specific physical features—all by positioning your lights.
\ FULL STORY

LEARNING CENTER

Tutorial: How to Better Communicate Between Advertising Creatives and Photographers
How do ad agency creative directors and art buyers select and work with photographers? Two members of the creative team at Young & Rubicam in New York offer their insights to aspiring advertising photographers.
\ FULL STORY

CAREER CENTER

Seeing with a Camera
Robert Hirsch discusses how framing, focus, and angles of view affect image elements—and provides exercises to help you develop your own working method of evaluating and composing a scene.
\ FULL STORY

LEARNING CENTER

Profoto D1 Monoblocs
Browse and download information about Profoto D1 monoblocs.
\ FULL STORY

EQUIPMENT CHECKOUT ROOM

Tricks of the Trade: Model Maker
When clients want eye-popping, surreal, or exaggerated visuals that are still lifelike, they turn to model-makers. Expert model-maker Makoto Aoki explains the craft.
\ FULL STORY

LEARNING CENTER

Interview: Kevin Bacon (yes, that Kevin Bacon!)
The Shoot Digital studio manager talks to Resource Magazine about working with celebrity clients, the studio's relationships with photographers, and what it takes to be on staff there.
\ FULL STORY

CAREER CENTER

How To: Make Coffee
In assisting, as in love, it's often the little things that count. And no one will ever ask you for just a coffee with a little sugar on set. Learn the seductive art of coffee making from this Resource Magazine article.
\ FULL STORY

CAREER CENTER

How To: Do a Casting
Having your friends pose for shots may work while you're a student, but pros have to find models that meet their clients' specifications. This article from Resource Magazine tells you how it's done.
\ FULL STORY

LEARNING CENTER

Jim Zuckerman on Composition: Classic Landscape Technique
Photographer Jim Zuckerman explains how to apply a classic technique of landscape photography to create engaging images with many types of subject in the sixth article of his sixteen-part series on composition.
\ FULL STORY

LEARNING CENTER

Jim Zuckerman on Composition: Introduction
Photographer Jim Zuckerman explains how to use light, color, motion, camera techniques, and the elements of a scene to create engaging photographic compositions in his sixteen-part series.
\ FULL STORY

LEARNING CENTER

White-Line and Black-Line Lighting
Dr. Glenn Rand demonstrates how to use lights, reflectors, flags, and mirrors to create precisely controlled shots of glass objects.
\ FULL STORY

LEARNING CENTER

Pro Perspectives: Mary Ellen Mark
Photographer Mary Ellen Mark talks to MAC-On-Campus about where she finds inspiration, what she looks for in an assistant, and why she has an enduring love for film.
\ FULL STORY

LEARNING CENTER

Finding Images
George Barr talks about how to scout locations, work a scene, and find inspiration in even the most unassuming subjects.
\ FULL STORY

LEARNING CENTER

Text, Printed, and Publicity Materials
Shirley Read explains how to write effective text, titles, and artist's statements to accompany images in an exhibition.
\ FULL STORY

LEARNING CENTER

Jim Zuckerman on Composition: Moving into the Frame
Photographer Jim Zuckerman explains how the direction of a subject's movement in relation to the image frame can make a photograph more engaging in the eighth article of his sixteen-part series on composition.
\ FULL STORY

LEARNING CENTER

Induro Carbon 8X CT-Series Tripods
Browse and download information about Induro Carbon 8X CT-Series tripods.
\ FULL STORY

EQUIPMENT CHECKOUT ROOM

The National Geographic Image Collection: A Conversation with Director Maura Mulvihill
Maura Mulvihill, Vice President and Director of the National Geographic Society’s Image Collection, talks about the 11.5-million-image archive with Leah Bendavid-Val, editor of the Society's new book on the collection.
\ FULL STORY

LEARNING CENTER

Splashlight SoHo
The people who make one of New York's most prominent studios tick talk to Resource Magazine's Justin Muschong about Splashlight, the work that they do there, and how they ended up in the photo industry.
\ FULL STORY

CAREER CENTER

Lighting Ratios
Don Marr explains the fundamentals that any working photographer needs to know: metering for two or more lights, using fill and back lighting, and how to light broccoli.
\ FULL STORY

LEARNING CENTER

Framing and Borders
Angela Faris Belt takes a close look at how to place and style those four essential edges that determine the form and meaning of images—and offers exercises to hone your framing and composition skills.
\ FULL STORY

LEARNING CENTER

Master's Showcase: Jerry Avenaim
If there were an "A" list for celebrity photographers, Jerry Avenaim’s name would probably be at the top. Admired and respected by publicists, editors, art directors, and stars in equal measure, he has photographed such icons as Halle Berry, Charlize Theron, James Caan, and Mel Gibson. He talked to MOC about his illustrious career.
\ FULL STORY

LEARNING CENTER

Career Options: Photo-Related Fields
Being a photographer isn't the only career path open to someone with a photography degree. Get an overview of other options related to image making, along with links to organizations that offer more information about the professional practices and requirements of each.
\ FULL STORY

CAREER CENTER

Jim Zuckerman on Composition: Distinctive Perspectives
Photographer Jim Zuckerman talks about using high and low angles to create engaging images in the twelfth article of his sixteen-part series on composition.
\ FULL STORY

LEARNING CENTER

Jim Zuckerman on Composition: Patterns
Photographer Jim Zuckerman explains how to use camera techniques and choose shooting perspectives to capture patterns in the ninth article of his sixteen-part series on composition.
\ FULL STORY

LEARNING CENTER

Guide to Posing: Hands and Arms
Shooting a professional portrait is all about sweating the details. Doug Box explains how to tell your portrait subjects what to do with their hands.
\ FULL STORY

LEARNING CENTER

Jim Zuckerman on Composition: Light's Influence
Photographer Jim Zuckerman explains how to observe light and use exposure and tonality to create engaging images in the fourteenth article of his sixteen-part series on composition.
\ FULL STORY

LEARNING CENTER

Interview: Mark Higashino
The photographer and DP talks about his early days shooting the New York music scene, what he sees when photographing people, and why you should never say "Hold on! I'm in the darkroom!" when you're interviewing for an assisting job.
\ FULL STORY

LEARNING CENTER

Pro Perspectives: Sam Jones
Sam Jones talks to MAC-On-Campus about how he got his start, what he expects from his assistants, and what he recommends to students who aspire to go pro.
\ FULL STORY

LEARNING CENTER

Tech, Eq & Flow: Developing a Proper Digital Workflow
Get a step-by-step rundown of how to tech a shoot, from preproduction to image delivery.
\ FULL STORY

LEARNING CENTER

Lighting for Photography: Control
Dr. Glenn Rand explains how to calculate exposure and how to test your digital camera to determine its true ISO equivalent.
\ FULL STORY

LEARNING CENTER

The Five Basic Portrait-Lighting Setups
Paramount. Loop. Rembrandt. Split. Rim. Bill Hurter provides light-by-light instructions and diagrams to show you how to create these essential portrait setups.
\ FULL STORY

LEARNING CENTER

Producing a Commercial Photo Shoot: Step by Step
Producer Susan Shaughnessy walks through each stage required to put together an advertising shoot on location in LA. Find out how to orchestrate a large-scale production and learn what each of the key players does in this article from liveBooks RESOLVE.
\ FULL STORY

LEARNING CENTER

Jim Zuckerman on Landscape Photography: Shooting at Sunrise and Sunset
Photographer Jim Zuckerman explains how to take advantage of the many lighting options and special qualities that dawn and dusk present.
\ FULL STORY

LEARNING CENTER

Essential Moments in Photographic Printmaking
Robert Hirsch surveys the diverse ways photographic movements and practices have addressed the question "What is a photograph?” throughout the history of the medium.
\ FULL STORY

LEARNING CENTER

Jim Zuckerman on Composition: Breaking the Rules
Photographer Jim Zuckerman talks about cases in which breaking the classic rules of composition can result in a stronger image in the final article of his sixteen-part series on composition.
\ FULL STORY

LEARNING CENTER

Jim Zuckerman on Landscape Photography: Dominant Foregrounds
Photographer Jim Zuckerman explains how to use foreground elements to create engaging compositions in landscape photography.
\ FULL STORY

LEARNING CENTER

Sekonic DigitalMaster L-758 DR/Cine Meters
Browse and download information about the Sekonic DigitalMaster L-758DR/Cine light meter.
\ FULL STORY

EQUIPMENT CHECKOUT ROOM

PocketWizard MultiMAX Transceivers
Browse and download information about PocketWizard MultiMAX wireless transceivers.
\ FULL STORY

EQUIPMENT CHECKOUT ROOM

Etiquette: Nudity on Set
Whether you're behind the camera or working elsewhere on set, creating a comfortable work environment is essential when you have a nude model. Learn how to keep things professional in this article from Resource Magazine.
\ FULL STORY

CAREER CENTER

Jim Zuckerman on Landscape Photography: Mid-day Lighting
Photographer Jim Zuckerman explains how to turn the harsh, direct light and deep shadows of high noon to your advantage.
\ FULL STORY

LEARNING CENTER

Mission: T-Home
How do you create an image of a bathroom seamlessly leading to an opera stage? Commercial photographer Gregor Collienne explains.
\ FULL STORY

LEARNING CENTER

Pro Perspectives: Joyce Tenneson
Joyce Tenneson talks to MAC-On-Campus about her distinctive style, the importance of a formal education, and what she looks for in an intern.
\ FULL STORY

LEARNING CENTER

Large Format Techniques
Learn how to use visualization techniques and view camera movements to control the focus, perspective, and composition of your images.
\ FULL STORY

LEARNING CENTER

Histograms and Light Meters: How They Work Together
Hone your exposure control through an understanding of histograms and light meter readings.
\ FULL STORY

LEARNING CENTER

Jim Zuckerman on Composition: Balance
Photographer Jim Zuckerman explains how to balance image elements to create engaging photographs in the eleventh article of his sixteen-part series on composition.
\ FULL STORY

LEARNING CENTER

Interview: Adhesive
Wondering how to meet New York creative professionals in a social setting? Allow Resource Magazine to introduce you to a group whose motto is "Sticking Creatives Together."
\ FULL STORY

CAREER CENTER

How To: Clean Your Digital Sensor
In this Resource Magazine article, Jeff Siti explains how to clean your camera's sensor without damaging it.
\ FULL STORY

LEARNING CENTER

Resource Guide to Networking
Does the word "networking" conjure visions of stick-on name badges and conversations involving the term "win-win"? It doesn't have to be that way, and making connections is important in any field. Learn how to get to know people—and get known—as you enter the professional photography world.
\ FULL STORY

CAREER CENTER

Technique: Blaise Hayward on How to Recreate Daylight
Photographer Blaise Hayward explains how he used lights and modifiers to recreate the natural look of daylight in a studio shot for this ad.
\ FULL STORY

LEARNING CENTER

Benefits of Incident-Light Metering
Learn about how an incident-light meter works and how to interpret the data it supplies to fine-tune your exposures.
\ FULL STORY

LEARNING CENTER

Jim Zuckerman on Composition: Negative Space
Photographer Jim Zuckerman explains how to use negative space in the fifteenth article of his sixteen-part series on composition.
\ FULL STORY

LEARNING CENTER

How To Sketch a Set
Resource Magazine provides a step-by-step rundown of how to measure a space, sketch a set, and impress the crew with your engineer-like precision.
\ FULL STORY

LEARNING CENTER

Posing Basics
Michelle Perkins provides an overview of the fundamental rules of traditional posing for head-and-shoulders, waist-up, three-quarter-length, and full-length portraits.
\ FULL STORY

LEARNING CENTER

Pro Perspectives: Richard Agudelo
Richard Agudelo talks to MAC-On-Campus about music photography, the importance of self-promotion, and the benefits of shooting medium format film.
\ FULL STORY

LEARNING CENTER

Interview: Martin Schoeller
Martin Schoeller, former disciple of Annie Leibovitz, shares his secrets of his success.
\ FULL STORY

LEARNING CENTER

Jim Zuckerman on Composition: Graphic Design
Photographer Jim Zuckerman explains how to use principles of graphic design to create engaging photographs in the fourth article of his sixteen-part series on composition.
\ FULL STORY

LEARNING CENTER

Jim Zuckerman on Composition: Lines
Photographer Jim Zuckerman talks about the eight basic kinds of lines and how to locate them in a scene to create engaging images in the tenth article of his sixteen-part series on composition.
\ FULL STORY

LEARNING CENTER

Digital Infrared Photography: Practical Aspects
Get a handle on the technical requirements when taking infrared photos with a digital camera from this excerpt of Cyrill Harnischmacher's Rocky Nook book.
\ FULL STORY

LEARNING CENTER

How To: Work the Wardrobe
Whether you're handling the wardrobe for your own shoot or working on someone else's, raiding your friends' closets the night before probably won't cut it. Find out how to acquire, manage, and return all the fancy threads you'll need from this Resource Magazine article.
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LEARNING CENTER

The Parallel Worlds of Art and Production
Resource Magazine's Audrey Kobayashi explores the history and contemporary role of the art producer in both commercial and fine art photography.
\ FULL STORY

CAREER CENTER

Breaking and Entering into the Industry
Resource Magazine's Feifei Sun interrogates six big players in the New York photo industry on how they made it there―and what it takes for novices to break in.
\ FULL STORY

CAREER CENTER

Diary of a Location Scout, Part IV of IV: The End
This is the end, beautiful friend—the last entry in the diary of location hunter "Chris Scout."
\ FULL STORY

CAREER CENTER

Jim Zuckerman on Composition: The Rule of Thirds
Photographer Jim Zuckerman explains how to apply this fundamental principle of composition to photographic subjects in the first article of his sixteen-part series.
\ FULL STORY

LEARNING CENTER

Resource Guide to Kits
Whether you're putting together a professional kit, assisting, or just wearing multiple hats at your own shoot, knowing which tools to bring on set separates the dabblers from the pros. Resource Magazine's guide to kits covers make-up; hair, food, and wardrobe styling; set building; model making; producing; and even baby wrangling.
\ FULL STORY

LEARNING CENTER

How To: Write an Invoice
You've done the shoot, your client is happy, and you're sure your photographs have broken new ground in the history of image making. But now it's time to pay the rent. Learn how to write a professional invoice for your services.
\ FULL STORY

CAREER CENTER

Etiquette: Work Holds
If you're working as an assistant, freelance photographer, or other crew, sooner or later you'll find yourself in the nebulous limbo of tentative gig bookings. Learn how to handle holds, cancellations, confirmations, kill fees, and other tricky terms from this Resource Magazine article.
\ FULL STORY

CAREER CENTER

Mamiya RZ67 Pro II D
Browse and download information about Mamiya RZ67 Pro II D cameras and accessories.
\ FULL STORY

EQUIPMENT CHECKOUT ROOM

X-Rite ColorChecker Passport
Browse and download information about the ColorChecker Passport color control system.
\ FULL STORY

EQUIPMENT CHECKOUT ROOM

The Characteristics of Light
Stephen A. Dantzig gives a lesson on how to control exposure by understanding the quantity, quality, color temperature, and additive nature of light.
\ FULL STORY

LEARNING CENTER

Interview: Craig Strong
Lensbaby inventor Craig Strong talks about his career as a photojournalist and how he came up with a brand-new kind of creative optic.
\ FULL STORY

LEARNING CENTER

Jim Zuckerman on Composition: Foregrounds
Photographer Jim Zuckerman explains how to keep foreground focus sharp in the seventh article of his sixteen-part series on composition.
\ FULL STORY

LEARNING CENTER

How To: Write an Estimate
Estimating the cost of a shoot for clients is a vital first step in producing it. Learn how to come up with workable, realistic figures in this article from Resource Magazine.
\ FULL STORY

CAREER CENTER

Tricks of The Trade: Concert Photographer
Concert photographer Danny Clinch talks about getting in the door, behind the scenes, and right up close.
\ FULL STORY

LEARNING CENTER

Tricks of the Trade: Food Stylist
Wondering how to make your food shots look tasty? A premiere food stylist offers photographers some tips in this article from Resource Magazine.
\ FULL STORY

LEARNING CENTER

Advanced Light Modifiers
Bored with umbrellas? Steven H. Begleiter offers an introduction to snazzier modifiers, such as the Globe, TeleZoom reflectors, and octagonal softboxes.
\ FULL STORY

LEARNING CENTER

Pro Perspectives: Nick Ruechel
Nick Ruechel talks to MAC-On-Campus about the artists who have influenced him, the lessons he learned as an assistant, and why he shoots large format.
\ FULL STORY

LEARNING CENTER

Jim Zuckerman on Composition: Framing
Photographer Jim Zuckerman explains how to frame image elements to create compelling photographs in the third article of his sixteen-part series on composition.
\ FULL STORY

LEARNING CENTER

Pro Perspectives: Ross Whitaker
Ross Whitaker talks to MAC-On-Campus about metering light, the value of a proper college-level education, and how he made it as a photographer.
\ FULL STORY

LEARNING CENTER

Tricks of the Trade: Creative Director
Long before a photographer shoots an iconic ad, it begins as a glimmer in the eye of an advertising pro. Billy Faraut talks to Resource Magazine about the ins and outs of being an ad agency creative director.
\ FULL STORY

CAREER CENTER

Incident- versus Reflected-Light Metering
Learn about the benefits of using a light meter and the differences between incident- and reflected-light metering.
\ FULL STORY

EQUIPMENT CHECKOUT ROOM

Photographic Ability and Creativity
You may be studying photography for love, but if you want to spend your working life creating images, you'll have to do it for money, too. Cliff Hollenbeck gives a working pro's perspective on how to balance creative goals with financial imperatives, and tells you what you need to bring to the table to succeed.
\ FULL STORY

CAREER CENTER

Round Table of Truth: Color Printers
Four color-printing professionals talk with Resource Magazine's Charlie Fish about long hours in the chemical darkroom, relationships with clients, and what it takes to be a working pro in their field.
\ FULL STORY

CAREER CENTER

Pro Perspectives: Gregory Heisler
Gregory Heisler talks to MAC-On-Campus about shaping light, the influence of painting, and what makes a good assistant.
\ FULL STORY

LEARNING CENTER

Tricks of the Trade: Photo Assistant
Assistant Marqui Akins hands down the commandments of his Photo Assistants’ Bible in this article from Resource Magazine.
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CAREER CENTER

The Elephant in the Room
Four pros talk about the thing nobody's talking about: How to survive as a photographer during tough times.
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CAREER CENTER

Mission: Propel Energy Drink
Commercial photographer Vincent Dixon talks to Resource Magazine's Elizabeth Leitzell about how he shot an image involving galloping horses, a runner, and a Manhattan streetscape.
\ FULL STORY

LEARNING CENTER

Jim Zuckerman on Composition: Leading Lines
Photographer Jim Zuckerman explains how to use leading lines to direct the viewer's eye in the second article of his sixteen-part series on composition.
\ FULL STORY

LEARNING CENTER

Etiquette: Equipment Rental
If you haven't learned the hard way already, check out this guide to the do's and do not's of equipment rental in the photo industry.
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CAREER CENTER

The Keepers of the Gate: Containing the Soul of Art Buying
In the world of advertising photography, art buyers act as both welcoming presence and impenetrable barrier. Lewis Van Arnam sheds light on the complex role of this central figure in the ad-creation process.
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CAREER CENTER